SYSTM is a Design Bar, SYSTM is also an Art Gallery. Everything in one but actually SYSTM is projection space for your Idea!

Seats like benches, chairs,  stool has to be design with the fitting tables…

We are looking for an innovative seats corner concept? Can you convince us with you idea? take  part and submit us you idea until the 27 of July by contacting info@systm-berlin.com

We are looking for student and young Designer submission!

SystM design Bar, Art gallery, exhibition space CALL FOR ENTRIES

Estuaire is also a political and tourist project, aimed specifically at accompanying and spurring the foundation of the Nantes - Saint-Nazaire metropolis, and using the physical line drawn by the Loire river as the basis of a tour full of secrets.
Until 2011, the National scene of Nantes - le lieu unique - will bear the project; Estuaire will then get a life of its own, with the creation of an  organisation, aimed at maintaining the sites, communicating on the project and keeping it accessible to tourists.

This open park, made of art installations, of natural or man-made heritage, of remarkable industrial buildings, will give the estuary a striking  identity. Sensible town and country planning will be necessary - walking paths, cycle tracks, cottages, shelters, camping site, viewpoints,   belvederes, gardens, sports grounds - and will shape and make visible its assets.

Estuaire is very proud of its natural territory. Each installation, fascinating as it is, will inspire our perception of the landscape, and will draw a different perspective on an exceptional natural environment.

The strength of Estuaire is also to be at the meeting point of all the partners, environmental associations, industries, farmers, local  professional bodies, fishermen, hunters, the Coastal Protection Agency, all working hand in hand to increasingly make of the estuary a Éuropean tourist destination.

The riverside towns are now starting to design the riverbanks, to build pontoons, hence to make the project grow stronger. Moreover, the
juxtaposition of Estuaire’s art installations next to the cultural heritage of each riverside town reinforces the power of one another.

Jean Blaise
Director of le lieu unique - Estuaire

Daniel Buren et Patrick Bouchain

the trail in nantes
Ile de Nantes
Daniel Buren
Patrick Bouchain
“Les Anneaux”
Perennial Artwork for Estuaire 2007
Based on the Isle of Nantes, the site chosen for Les Anneaux represents the link between two eras: the great maritime and naval past of the town, and today’s great architectural and urban projects, putting Nantes on the European stage.

Daniel Buren wanted to highlight the double perspective of the Isle of Nantes: the architectural perspective, drawn by the docks and
the warehouses, and the natural perspective delineated by the Loire river. A series of 18 rings facing the river offer as many different cutouts of the landscape. At night, the enlightened rings - red, blue and green, three colours at the basis of so many others - become multiseeing
tools…

Ronan Signer

the trail ON THE ESTUARY
REZÉ (Trentemoult)
Roman Signer
“Le pendule”
Rezé has a strong architectural heritage (Le Corbusier, Dominique Perrault or Massimiliano Fuksas). One of its quarter, a former fisherman village, overlooks the river: Trentemoult. This is where Roman Signer made the decision to start off his project using an old concrete factory,
built at the end of the sixties, and which is now derelict.

Tadashi Kawamata

the trail ON THE ESTUARY
Lavau-sur-Loire
Tadashi Kawamata
“L’observatoire”
Following the creation of the channel and numerous planned landscape developments, the Lavau site has slowly turned into a marsh. And this is the particular aspect of the estuary that Tadashi Kawamata has decided to put forward, as early as 2007.
Tadashi Kawamata then initiates work with the village population as well as with students, creating a melting pot, which is vital to his creative process.
At Lavau, the commune is favourable to contemplating nature. He designs a new identity and uses the wooden path leading to an observatory, to offer a new viewpoint over the river to everyone. The building site of the Observatory started in 2007 with the end of
the path: little by little, the visitor rises in the middle of the reed beds and reaches a vast platform where a tower is built.
In 2009, the artist rounds up the construction by adding a wooden path in the surrounding meadows and reed beds that are drawing the line between the tower and the village. Tadashi Kawamata creates here a little path in wood, 40 cm above the ground, which is embedded in the
marsh and seems to float in the natural environment.
Movement accessible to the disabled / observatory : first floor only.
Walking length round trip: 1h30.

Felice Varini

the trail in saint-nazaire
Submarine base (Panoramic terrace)
Felice Varini
“Suite de triangles, Saint-Nazaire 2007″
Perennial Artwork for Estuaire 2007
The construction of the German submarine base between 1940 and 1942 disrupted significantly the port; ensuing its construction, the heavy bombardment destroyed almost all of the “Little Breton California”.
Nowadays, the project Town-Port is a vast town planning with the submarine base at its heart. Here, the vastness of the landscape
and its industrial identity challenged his capacity to explore space: the piece, a 2 km long painting, is the biggest ever executed by the artist.
From a viewpoint located on the roof of the panoramic terrace at the submarine base, Felice Varini draws a “horizontal line” which hugs the landscape around the Saint-Nazaire port. The division of the shapes above and below this line split the landscape into different sequences. The artist reveals a shape painted on a single level, a shape that detaches from and places itself on top of the architecture to which it seems to belong.
Leaving the viewpoint on the terrace now means experiencing the third dimension and seeing the explosion of the figure.

Gilles Clement

the trail in saint-nazaire
ROOF OF THE SUBMARINE BASE
Gilles Clément
“Le Jardin du Tiers Paysage”
Open to the public since 1998 thanks to the project of the urbanist Manuel de Sola Morales, the roof of the submarine base is now an open-air terrace between the sky and the ocean.

The Jardin du Tiers-Paysage is triptych which takes advantage of the three architectural devices of the site: The Wood of Aspen will be placed in Les Chambres d’éclatement des bombes in 2009, The garden of Grasses and Stonecrap in The Covered Rows scheduled for 2010,
and The Label Garden will be in The Pit in 2011.
Appearing suddenly from the concrete of the base, a 107 aspens with bright leaves sway in the wind. Having the base to scintillate and quiver is the first intention - poetic intention - of Gilles Clément, who sees in the base a place of resistance, where the ecological diversity of
the estuary can reside.

wardrom by Paula collective

indoor clothes-peg
PEGGY an out of scale clothes -peg becomes a real wardrobe. A new life for this object, thought for an indoor use, in a personal space where game, tradition and design blend. This is the new random wardrobe “Peggy”. From a cubic structure fixed to the ceiling eight elastics ropes hold eight funny & coloured out of scale clothes-peg .
A compact object, funtional and creative. It can host tens of clothes and until eight winter jackets.

peggy by Paula collective

CANE, the table is born by an essential primordial drawing. The archetip, the drawing a child does representing the dog, takes shape. Its main features are the legs, the number of which, different on the two sides, marks the seat places. An extension of the final part of the surface can be used as a tray table . It’s a democratic table with no hierarchy. Mealtime is stretched for 3 meters and 8 seats equally distributed, for 8 people all the same but all different. Cane invites people to take their place in pre ordinated spaces. It is designed to make meal time a game, a collective experience. Cane is designed by Paula in collaboration with Atelier Grafite (Luca Leonori and Stefano Stefani).

cane by Paula collective

PAULA
designers for necessity

Paula collective is born in 2002 by 3 young talented roman designers Gabriel Berretta, Simone Bartolucci and Valerio Ciampicacigli united by passion and enriched by past experiences going from urban writing, to arts, from advertising communication to pure handcraft; in 2003 they decided to unify their minds with a common aim: to produce something bigger.
The guidelines of the group focus on the elaboration of what Paula defines the key question and the knot to unleash : “what about design?”: a challenge, born from the refusal of a passive compliance to common attitudes, founded on research as on creative errors, getting to formal and conceptual languages unexplored since today… but even not.
Paula’s main focus is the creation of vanguard objects. However it is very close to artistic realities of its territory (writing, street art, photography, video art), and dreams about a “globaltotal” commistion design.
Paula group is now working on a series of “poetic” and “institutional” designs, collaborating with established companies and young designers. And developping an intense research activity : since years projects on urban, technical or vanguard realities are at work; our aim is that of giving life to objects and/or instruments of alternative knowledge based on our experiences and of who, like us, loves to get involved in the world.

The ergonomic shell is made of resin for food (non-toxic), the skin is leather “flower” natural, tanned with vegetable additives, formed by strips sewn by hand with double stitching on sight. The legs are stainless steel and in the final model provides 4 extendable “SUPERFLEX” springs calibrated to withstand a weight of 45 kg and sliding retractable wheels. The other proposed model differs only in the coating which consists of a non-toxic paint, usually used for toys (not dissolving with saliva).

Giovanni RADICCH, Designer

Sinue cradle by Giovanni Radicch

SINUE CRADLE , in both the version paint lacquered or natural leather are now available.
For each request for purchase or information

Please contact Dr. Fabio FABBRI

by phone to +39 338 6217120 or to +39 0721 930361

Please fill free to contact us for any request, our entire Staff is available to answer all your questions.

info.sinue@gmail.com

It seems difficult to understand how it is possible that more than 500 Offices worked  on open competition organized by the state and that at the end nobody get honored! It is also useless to remind that many time in those kind of competitions, architects, designers and artists are working for free.

I try myself to do the competition, but after few weeks it come out that the difficulties we are facing are probably due to the complexity of the topic or to the unclear or too ambitious will of the organizer. We finally decided not to take part.

Are the 500 participants (people who submits their work) not good enough or was the question bad formulated by the client. Are some organizations involved protecting the participants?

Frédéric Louis Fourrichon, Berlin

During our travels in the world, we often encounter increadible grafitti paintings, sometimes in unusuall or hard-to reach places which makes one wonder which superhero painted them.

Designer Stefan Rechsteiner came up with  a new concept of graff-bot that can get to places that are normally out of reach…not that writers seem to have a problem getting to those places to start with (like mentioned before.)

Designer´s Description : “Couleur sur l’Objet” is in short a wall climbing printer, based on the principle of the vortex-robots that are able to climb walls with the help of suction. These robots are combined with a color application device and a controlling software that allows to print designs on large walls.

Called “Couleur sur l’Objet”, this small device is aimed in aiding urban - artists doing what they do best.  With a little help from High-Tech, computers, and some software, you can actually programm this robot to do the job for you.

“Couleur sur l’Objet” @ DesignLoft

We, At DesignLoft think that this is a great idea, especially when thinking about the potential it can have OUTSIDE the urban - grafitti scene.

You can design with ease and reproduce huge wall paintings also IN-DOORS  (Frescos, patterns etc.. maybe even the new Capella Sistina..) , or perhaps even use this devie for counter-act it´s own purpose itself, by helping to Clean the walls of specific buildings.

Grafitti Bot “Couleur sur l’Objet”

Using a Samsung Portable Computer, this beautiful table is integrating in a seamless way the computer into the working desk .

Designer´s own words :  ” DesCom was coined by combining the words ¡°Desk¡± and ¡°Computer¡±. This design was created with ¡°one-room people¡± who value future entertainment in mind. When connected to a basic home theater, it functions as a main computer and, when the main body is separated, it can be installed in the living room. DesCom is suggested as a new business line, targeting the B2B market of Samsung..”

DesCom from Sung-kyu Nam 3

Beufiful Design ? Yes .

Problems ? yes!

From the product design point of view, this desk is completely dependent on the existance of the laptop itself.

What will you do with the desk when you change computer?

What will the designer do when a new laptop will arrive ?

How can one use the desk WITHOUT the computer ? (See image below)

DesCom from Sung-kyu Nam - With and Without

The concept is interesting, maybe some new standart for sizes of laptops can emerge ? or maybe some more flexible design based on this idea ?Since we really like the concepts of this designer, we will keep on tracking his work…

DesCom from Sung-kyu Nam - With and Without

DesCom from Sung-kyu Nam - Beautiful Details

Would be good to suggest them an English version!

Als im vergangenen Sommer WEDDING DRESS #3, das von Berlins größtem kommunalen Wohnungsunternehmen degewo initiierte Festival of Urban Fashion and Lifestyle, die Brunnenstraße in einen großen Fashion-Boulevard verwandelte, drängten sich Tausende von Besucher durch den Wedding, um sich die brandneuen Kollektionen angesagter Designer nicht entgehen zu lassen. Modebegeisterten, Fachpublikum, Trendscouts, Pressevertretern, Anwohnern und Interessierten wurde eine große Vielfalt aktueller Trends rund um das Thema „Urbane Mode und Lebenskultur” geboten.

Auch zur kommenden Fashion Week wird WEDDING DRESS #4 am 4. und 5. Juli 2009 in der Brunnenstraße zwischen Bernauer und Voltastraße stattfinden. Es erwartet Euch ein großer Designer-Sale, ein Outdoor-Fashionbasar, Fashion-Shows, Partys mit angesagten DJs und Live-Konzerte, Ausstellungen und vieles mehr.

An die 180 nationale und internationale Designer und Labels wie z.B. Marcel Ostertag, Kilian Kerner, Miriam Schaaf, Comtesse de la Haye, Seelenkleid und viele andere werden Euch die neusten Trends aus der Modewelt präsentieren. Und das Tolle daran: WEDDING DRESS #4 ist nicht nur zum Ordern gedacht, sondern zum Bummeln, Inspirieren, Loungen und Shoppen.

Die Planungen laufen auf Hochtouren und Ihr seid hoffentlich wieder mit dabei.
Wir freuen uns auf Euch!

Euer Wedding Dress Team

In Milano Salone Satellite, 22-27 April 2009 showed a selection of tableware in ceramic.

In Istanbul I-DECO design and decoration fair, 5-9 March 2009 Gaetano showed a system of mirror “Climbing the mirror” for hanging clothes.
Gaetano’s works are product in Italy by Improntabarre, a ceramic company based in Sicily.

Your own Personal Jesus (Ambiente Messe Frankfurt, Talents, Frankfurt am Main, 2009)
The attempt to re-design the symbols of different religions starts when I realized that the iconography of these themes is often old fashioned and conservative. I started to design a simple cross, emphasizing the outline of the man and simplifying the symbol the more I could. The sense of sufferance disappears giving place to a new light cross in different colours. One remembers ironically the colors of Italian flag, mainland of Catholicism. Your own Personal Jesus is one of 8 products chosen by Nipa Doshi and Jonathan Levian for Personal Shopper, Tendence ‘09, Frankfurt am Main.

re-design symbols of religions by Gaetano Di Gregorio

Tulipiere (Salone Satellite, Milano 2008)
The vase for tulips has an organic geometrical shape. You can put only one flower per hole, allowing the leaves display themselves. The blue and white glaze discreetly appears out of the vase mouths, inside and outside change place, playing to invert the common sense. The rough and deeply grey external part preserves the inside beauty, like an inland empire.
Tulipiere is now in the permanent collection of design of the Art Institute of Chicago.

vase detail by Gaetano Di Gregorio

Teapots (Salone Satellite, Milano 2008)
My interest in tea-ware started in China, where I spent some time in a porcelain workshop in Jingdezhen in 2006. Back in Italy, I decided to combine ceramics with soft, handy material to help gripping the pot. In my works I often apply to the combination of soft and hard material. In this case I looked for both a formal and functional solution, wrapping up the teapot body a band or a coat of neoprene, soft felt or silicone, to avoid to burn one’s fingers and to keep tea warm. Bands and coats are heat-resisting and easily removable to wash the teapot. Each part of the teapot is functional to the other. The neoprene band and white ceramic teapot is is now in the permanent collection of design of the Art Institute of Chicago and in the artshop of The Getty Museum, California.

Teapots use

Gaetano Di Gregorio was born in Catania, Italy, in 1972. He has been living in Venice since 1991 where he combines his work as architect with that of ceramist and designer.
His artistic process often links computer graphics and textual elements, that are applied to ceramics. Emphasis is placed on the process, favoring the narrative and serial dimension that dialogue with memory and the environment, and become conveyers of poetic instances, at times a paradox.
In 2006 experimented with porcelain techniques in Jingdezhen, China in Sanbao Institute for Ceramic Art, Residency for artists.
In 2003 he founded Spiazzi (www.spiazzi.info) with other artists, a collective studio and cultural centre of visual arts and design in Venice. Spiazzi promotes Manos, an open air market for auto-producer designers in Venice Rialto fish market.

day_Night during the day!

Day_Night by night

TECHNICAL INFO
The lamp consists of three elements: the stand, vertical support and lamp’s active body. The base semi-circulr stand holds the batteries for energy accumultion, the weight of which stabilizes the lamp.

Vertical support has an elbow at its top that enables the rottation of the lamp’s disc and its positioning towards the natural source of light. On the upper surface of the disc, which is 96 cm in diameter, there is a round glass sheet and and a black plastic tedler with integrated PV cells (thin film-cells). In the center of the disc there is a layer that carries the LED diodes, while the bottom portion of the disc closes with a sheet of semitransarent polycarbonate. The disc has a aluminum ring-shaped jacket. The lamp is 208 cm high. Integrated PV technology and batteries enable the lamp to function appx. 5 hours a day, with 2 hours minimum of collecting energy. With PV thin-film technology advancemnt, the lamps performance will improve.

ABOUT DESIGNERS
od-do architects studio was formed by Nataša Ilinčić and Jugoslava Kljakić in 2005 in Belgrade. They are interested in interdisciplinary design, encompassing architecture, furniture design and production design. They participated in Ghost project and Belgrade Design Week in 2006/2007/2008, London Design Festival in 2006, Saloni Satellite in 2008. The were the recipients of the ULUPUDS award for the best interior at the Belgrade Architecture Salon for the multibrand store BUZZ and the DAB Award for their design concept of the City park at New Belgrade (2008). Multipurpose od-do design is described as “portable home objects for active minds created to respond to the complexity of modern living”. Often simple, but humorous, these objects require interaction. The character of the products dictates simplicity and efficiency in form, function and materialization.

In 2007, they started Redesign your mind project that gathers designers interested in ecological responsibility and green design. www.redesignyourmind.org

TECHNICAL INFO

Arc lounge consists of 13 identical “ribs” of plywood, 8 mm thick, which are ergonomically cut, creating a very comfortable (rocking) lounge. The ribs are connected with an elastic band, and the lounge is wider in the middle because the ribs are positioned with a comb-shaped distancer. Disassembly is simple - distancer is removed, ribs snap back together. The lounge is produced on CNC machine, which is one of the reasons it is suitable for mass production. Dimensions: 1960 x 720 x8 mm, dimensions of the distancer: 510 x 120x 16 mm.

the designers

ABOUT DESIGNERS

Marija Bjelaković, Milica Jović, Emir Bećiragić are senior year students of the Faculty for Wood processing and Design. Their interests are directed at designing wooden furniture, and they pay greatest attention to designing eco-friendly furniture. They have an extensive experience exhibiting their designs, as they have participated in several internationl fairs and exhibitions, receiving many awards for their work.

Useful tiles
The utilization of tiles is realized in a taunting and ironic way by having the tiles themselves becoming kitchen utensils. Such collection complies of a series of objects usually used for cooking, which come out of the kitchen tiles on the wall. Each one of these objects besides being an aesthetically valuable piece of complementary furniture, it is also a perfectly functioning tool.
Tired of looking for our utensils around the kitchen, we could have lemon squeezers, funnels, nutcrackers, bottle openers, mortar and pestle and whatever else, near at hand, perfectly integrated as part of our kitchen décor.

Picture frame / table
The picture frame is transformed into an emergency table; the emergency table is transformed into a picture frame which can be displayed as a furnishing object. Living spaces are often smaller and smaller, thus furniture with two or more purposes is often being proposed. This is a simple furnishing object which when needed can become a useful surface for dinner parties. It is also possible to use in the frame one’s own favourite pictures.

lampada verde

Timida lamp
The wall is fitted with “ghost” objects which in the least invasive way carry out their own functions. The objects vary from lamps, clocks, coat hangers, umbrella stands, wall vases and other useful tools which are camouflaged by the pre-existent style of the wall.

Coffee tables
The peculiarity of this object is that it is made up by two identical, interweavable surfaces. Thus, by sliding the two surfaces together, the table can acquire shapes that go from the classical squared one of a simple coffee table, to more fanciful ones. The table is available in varnished wood, shiny steel and transparent Plexiglas, allowing choices of chromatic combinations and opening the house décor to personalised solutions.

Sebastian Jansson was selected for the 2009 edition of the Salone Satellite; a showcase dedicated to young international talents selected by a panel of experts. This year, he is exhibiting three objects: a chair, a lamp and something special for the kitchen.

One of Jansson’s more recent works, his geometric chair, has sourced inspiration from the structure of a coffee leaf. His in-depth study of the leaf has allowed him to extract structural geometric shapes, such as the triangle, pentagon and hexagon. Originally, this chair was designed to decorate the interior of a coffee bar - hence the coffee leaf - and further developed in Milan, gaining critical feedback form reputable personalities as Lindfors and Giovannoni.

A strong sense of character and personality emphasize the interesting aesthetic of Janssons modular lamp, as this time he has combined the use of geometric shapes with organic building principles. The Glo-Flex material, reflective and semitransparent, is supported by a structure of Velcro, which bind the hexagonal and pentagonal tiles together, releasing a warm light with a contemporary twist. The composition of these forms were influenced by the simplicity of a soccer ball, as it also reflects the playful yet refined nature of Janssons style. He is also experimenting with alternate joining methods and is currently testing a brand new material by Velcro ® - Ultramar ® Prototype, an 80% ready product.

Jansson’s range is further complimented by his steel cutlery set. Their deceptive nature and simplicity suggest a sense of mystery, as there is little reference to their specific task. There are many scenarios in which this object can be used, and their versatility makes them a design feature in themselves. Minimalism has been the driving force behind this creation and apparently, is as simple as a folded sheet of steel.

Marco Sammicheli

Design Editor, Publisher ZERO
April 2009

Product description

utensils_ Sebastian Jansson

TEMPUS are a set of kitchen utensils, incorporating a sense of multi-functionalism through their simplistic language. Their resting place was initially specific to the kitchen, but their discreetness and cleaver consideration of detail, forces a sense of ambiguity, and invites the user to handle with these tools as they please. They are made from a folded piece of stainless steel.

These utensils were one of the first products Jansson presented at University of Art and Design Helsinki. Whilst under the tuition professor Martin Relander, Jansson’s creations were said to be very ‘fast and dirty’, as time was not on his side. In the workshop, Jansson’s creations emerged in minutes, as he worked under pressure to submit his work on time. With his creative juices flowing, Jansson was able to complete the task by using only necessary details to fulfill the requirements. Following the assessment of professor Relander, the objects were considered to be the “peak of minimalism”.

Habitus_ bar chair_ Sebastian Jansson

HABITUS is a bar stool inspired by the coffee leaf, constructed form geometric shapes. With its sculptural appearance, Habitus gives character to a space and environment, inviting the eye to glance over its anthropomorphic structure. By studying the formation of coffee leafs, Jansson was able to re-create the stool through this intricate arrangement of geometric forms, whilst maintaining its aesthetic qualities and comfort.

The stool is made from is laser cut 1mm steel, folded and welded. Habitus has been developed and manufactured during Jansson’s time in Milan in 2008-09. It was originally designed to feature in café and coffee shop of Kaffa Roastery based in Helsinki, but is now represented internationally. Jansson has also created the brand identity and communication for this boutique coffee roaster.

CUMULUS This modular lamp is contemporary study of two materials- both placed in a foreign context. The reflective and semitransparent material delivered by the Philippine company Stavellan Inc. uses this material as never before. The light is deflected in six directions within a sphere, and diffuses the light in a spectacular manner, creating an optical illusion. The use of Velcro® Ultramate® as a joining mechanism, creates an extremely rigid framework as together it forms the skeletal structure for light diffusion. The aesthetic of the light has been inspired by clouds, as there is no limit to how this system can be arranged. Yet again, Cumulus is a reflection of Jansson’s geometric interpritation of the organic environment.

Why the title “Objects Around the Tablescape“?
Patrick Chia in conversation with Patrick Chia

• PC: Why the terms “objects” and not “products” or “sculpture”?
• PC: “Object ” is free - it can be any thing. It could come as it is. It does not come with the baggage and conforms that “product ” or “sculpture” has. It does not takes positions, it is non absolute.
• PC: Why ” table” + “scape” and not “desktop”?
• PC: Every thing that exists has a relationship with and impacts another. A tree does not only provide shade and fresh air on a landscape, it is also a measure of seasons. It is a measure of time, a measure of space and also a measure of our existence. The object does not exist by itself. Like in the landscape - trees or grass, everything is related in time and in space.
• PC: Why “around” and not “on”?
• PC: “On” is foreign and transplanted. “Around” seems more organic and it suggest s that the objects have been all along.
• PC: Please describe the concept, choice of material and process for each of the pieces.
• PC: We are interested in the innate quality of the material and its process; looking at a block of wood and asking it “what it would like to be? “. We are looking for an encounter that has a visceral resonance.

d. lab^TM is a commercial entity and trademark created by the Design
Incubation Centre to communicate its research and outcomes through
commercial distribution channels. d . lab^TM aims to examine and create
new possibilities and new relationships between man, object and his
environment .

The Design Incubation Centre is a design research laboratory which
investigates and develops new design tools to find new possibilities for
the practice of design. This is done through projects that analyze the
emerging and evolving human needs, technology and social trends.
The Design Incubation Centre is par t of the Depar tment of Architecture
at the School of Design and Environment in the National University of
Singapore.

We try to keep all pieces in our production line in stock and usually ship within 10 days of receiving an order. Shipping costs to any destination in the continental US will be displayed in the checkout process. Delivery in the Denver metro area is free. Call for shipping rates to other destinations.

Pieces in our back catalog are made to order and will ship within 8-10 weeks. All pieces in our back catalog can be customized to meet specific needs. Call or e-mail us to talk through a custom order request.

DoubleButter debuted their new line of steel indoor/outdoor furniture with interchangeable fabric covers.

ABOUT THE MATERIALS

Our production case goods and dining tables are available in either solid American black walnut or in forming plywood. The black walnut is always domestically sourced. The insides of our solid walnut pieces are finished with natural shellac and the outsides with a natural linseed oil and pine-resin varnish blend.

The forming plywood is a typical spruce/pine/fir plywood with a classic-looking edge. The faces of the plywood are coated with a phenolic resin (like Richlite countertops) that is extremely water resistant. The plywood is normally used and re-used to make concrete forms, hence the name and the hardy coating. We get it from a forming-supply yard down the street from our shop. That company’s logo is printed on one side of each sheet and for standard orders we orient the sheets so the logo is on the inside or underside of the piece. However, on request we’ll flip it and face the logo out. Just call and ask.

Our drawer boxes are made from BBB birch plywood, finished with natural shellac.

The Roadrunner side chair in wood is available in either solid walnut finished with the oil and varnish blend or in medium density fiberboard (MDF) finished the same way.

The aluminum pulls and steel legs of our case goods and our line of steel chairs, benches and stools are powder-coated, a zero-VOC process that is hard wearing and water resistant. We offer 4 standard colors: blue (RAL 6034), green (RAL 6019), cream (RAL 1013) and gray (RAL 7043).

Our line of powder-coated steel seating is uphostered with either brown or black cowhide.

The upholstery is affixed with velcro and is thus removable and interchangeable.